Multi-Instrumentalist, composer, arranger and producer, Sylvester Uzoma Onyejiaka II or as many now call him, Sly5thAve is another of the young, highly trained musicians blasting genre boxes apart and winningly fusing an eclectic assortment of influences with jazz as a bedrock to the excitement of a legion of desirous listeners.
The Texas born, New Yorker has racked up an impressive resumé of work with noted artists and musicians such as Stevie Wonder, Gladys Knight, Taylor Swift, Janelle Monae, James Carter, Philip Lassiter, Maceo Parker, the whole Marsalis crew and oh yeah, Prince, to name just a few.
But in addition to his triumphant debut release, Akuma, inspired by a trip to Nigeria, the place of his family’s roots, that garnered high acclaimed and major looks, Sly5thAve has also become known for his lush, artfully cool orchestral takes on some popular tracks of the day. His interpretations of the Bruno Mars hit, “Uptown Funk”, Lil Wayne’s “Love Me” or Kendrick Lamar’s “Bitch Don’t Kill My Vibe” have been heralded by many of the “nets” hippest destinations and spun by tastemaker DJs because of his savvy approach that no doubt makes even jazz heads and the chamber music crowd smile.
Sly5thAve has now taken the concept full scale with his rendering of songs produced and associated with kingpin hip hop producer, Dr. Dre, first introduced live at the Wilshire Ebell Theatre with some of L.A.’s finest musicians which was attended by Dre himself.
We caught up with the affable, laid – back, incredibly talented artist to talk about the project, The Invisible Man: An Orchestral Tribute To Dr. Dre and more including his time touring with Prince, the impact of Kendrick Lamar’s Good Kid, M.A.A.D City and what keeps his passion for creating music alive.
Photograph by Eric Coleman