“Don’t push me/cause I’m close to the edge . . .”
Many will recognize those as the lyrics to the iconic Rap classic, “The Message”, from Hip Hop pioneers Grandmaster Flash and the Furious Five. Emcee Melle Mel earnestly gives the warning because, as he eloquently goes on to proclaim in the hook, “It’s like a jungle sometimes/It makes me wonder/How I keep from going under”, describing the troublesome times, traps, and conditions facing a young black man living in New York City. That track was released in 1982. Fast forward to 2017 and for as many ways that we’ve advanced and come a long way, sadly, many of the same traps, biases, frustrations, inequity and volatility of the time that underscores “The Message” and even years before still exist today.
Something “pushed” multi-talented singer, songwriter, guitarist, and producer, Tomás Doncker past that “edge” on June 17, 2015. The event took a huge emotional toll on the accomplished New York bred, musician and artist who in addition to his own acclaimed projects, has performed and worked with artists such as Madonna, Meshell Ndegeocello, Ivan Neville, Cory Glover, and James Chance and the Contortions as well as being at the helm of the label True Groove Records.
But to “keep from going under” this always busy, man on the run, stopped and cancelled everything. And as a way to just heal, he shunned the world- played his guitar and wrote. What came from that, quite without intention, was the framework for his new release, The Mess We Made, an incredibly impressive, provocative, no holds barred, scolding of our country – of our society- but not without a few suggestions of things we can do to get right. At the same time, Doncker masterfully manages to entertain with a stirring soundtrack of soul, blues and funk he calls Global Soul.
ISPYSOUL caught up with Tomás Doncker to talk about the The Mess We Made and what drove him to let us know. Check out our interview:
Click here to check out and purchase The Mess We Made
And to learn more about Tomás Doncker and True Groove Records go to Tomás Doncker.net
© ISPYSOUL 2017