teddycrockett’s going to Sell The World on his new EP

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teddycrockett — Many may not be familiar with the name of the super cool, singer, songwriter, guitarist and producer, but he’s far from new to the music scene. If you fancy yourself an ardent, soul music maven plugged into its eclectic vastness, especially on the vibrant independent tip over the last decade plus, you’ve heard his funky licks, soaring guitar and top-notch production skills. You might have caught him blazing the stage with venerated UK soul star Omar, Common, Bilal or Alice Russell; on stage and recordings with the incredibly talented, fly duo of Casey Benjamin and Nicole Guiland, admiringly known as Heavy; or adroitly holding down production duty for his sis, Ms Diva Blue herself, captivating vocalist, Alison Crockett. 

Now teddycrockett has officially moved to the forefront with the release of his three song EP, Sell The World, a hip, and flavorful mix of blues – tinged soul, pop, classic rock, and electro – funkiness with TC at the vocal helm. Sell The World is a well crafted mosaic of sounds and influences that conjure up music heyday nostalgia from 70’s Al Green- like flavor and Prince-ly, Minnesota vibe to a Steely Dan-ish lean, with a slick, and modern approach.

The wonderful eclecticism of the project was an inevitable result from Crockett. As he explains, “My dad was a musician and he considered there were actually only four genre’s of music: jazz, rock, gospel and classical. Anything with a back beat he considered rock, so this included the entire diaspora of R&B, soul, classic rock, punk, hip hop, etc. He listened to it all and so I grew up believing pretty much all music was related.”  He continues, “With my new songs I hoped to tap into the timeless songwriting styles that I grew up loving. I think solid, tuneful songs will never go out of style. I’m not afraid to wear my influences openly on my sleeve, ‘cause none of the cats I look up to— Jimi, Prince, Marvin, Sly, etc — hid where they came from either. I think I heard that Miles use to repeat the adage, ‘the good ones borrow but the great ones steal’ and I def seek to reach towards greatness.”

Sell The World is a welcome intro to teddycrockett with more waiting in the wings, poised to follow. Check out the full EP and enticing, beautifully shot visual for the title song directed by Daniela Zoe Croci above. 

Bert Caldwell    Photos: Shawn Hanna

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Marcus Machado proclaims “I Can’t Lose” with his new single

 

“I Can’t Lose” is the new single from swiftly rising, virtuosic guitarist Marcus Machado featuring soul smothered vocals from Jermaine Holmes most notably of soul star, D’Angelo’s stellar crew, The Vanguard. It is also the first single from the upcoming film and soundtrack, “Blue Diamonds” directed by Patrick House. 

Machado, a past featured artist here on I SPY SOUL, has steadily been wowing audiences and turning industry heads with his high-powered, eclectic style molded with rock, soul, jazz, blues, and hip-hop influences, since even before grabbing Rolling Stone magazine’s “Next Young Gun” honors in 2014. In addition to heading his own shows and projects, the guitarist and producer has become a sought after musician putting it down with artists like Robert Glasper, Jamie Lidell, and  Pete Rock, as well as with Daru Jones (Jack White, Slum Village) and legendary bass player Doug Wimbush (Living Colour) established the killer squad, DMD.

Check out the single below on Spotify and our video feature on Marcus Machado by clicking here  

Purchase the track on iTunes here or Google Play here

And for more on Marcus Machado go to officialmarcusmachado.com

Video Interview: Singer/Songwriter Chantae Cann

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There are things that no matter what seem to always bring a smile to your face – A fond memory, dancing with your sweetheart or the eyes of that brand new fluffy puppy you just got.  You might also add to that list, a voice. In particular the voice of accomplished songstress and songwriter, Chantae Cann.  It’s the kind of voice that evokes a sense of calm and a rush of assurance that somehow, someway everything will be okay – Engagingly warm, beautifully comforting, and oh yes, highly adept.  Perhaps the perfect voice to console you in your time of despair yes, but also wonderfully ebullient when it wields words of inspiration and encouragement to pursue your dreams and love yourself.

chantaejgIt’s surely the quality noted and award- winning artists she’s collaborated with over the years like collective Snarky PuppyThe Foreign Exchange, and more were attracted to.  And many more came to discover it by way of her highly-regarded debut project, Journey to Golden that reached #1 on the iTunes Jazz Charts and #7 on Billboard’s Jazz Charts.

Cann’s followup, Sol Empowered, featuring guests looks from Snarky Puppy, and chantaesolTarriona “Tank” Ball from Tank and the Bangas, has garnered similar excitement and success because of course, it features that enchanting voice served up in an infectious, soulful vibe. But because it also offers even more messages of self-acceptance, self-love, and self-empowerment.  As she shares in our interview, it’s insight into her own personal evolution and process towards realizing those things. To hear about her being Sol Empowered, the joy of working with Grammy® award winning soulstress, India.Arie, and Grammy® nominated artist, Maroon 5 member and long-time friend, PJ Morton and more, check out the video above on the I SPY SOUL YouTube Channel.

 

For more about Chantae Cann go to website Chantaecann.com

 

Check out the news of her new collaboration with Kia Motors America in promotion of her new Kia Sol Empowered Tour on The Soulnar

Video Interview: Shelley Nicole

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The provocative, fiery sound and style of singer, songwriter and bassist, Shelley Nicole has through the years become trademark for the talented artist through her own work with band BlaKbüshe and the revered Burnt Sugar Arkestra. She’s bringing it hard as ever on her anticipated new project, I Am American, produced by guitar beast and founding member of legendary rock squad, Living Colour, Vernon Reid

On the doorstep of release in all its spirited, soulful and “no holds barred” glory, Nicole returns to ISPYSOUL for a chat, an overdue follow-up to our first meeting upon the release of her acclaimed debut, She Who Bleeds . . .,  to share the impetus for I Am American, the lure of “Punanny Politixxx” and more in the video below on I SPY SOUL YouTube Channel.

For some background on Shelley Nicole’s BlaKbüshe check out our previous interview by clicking here

 

 

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The first single from Shelley Nicole’s blaKbüshe, Punanny Politixxx is out and available now iTunes and Spotify. Click the links to check it out or purchase

Video Interview: Guitarist Mark Whitfield

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Acclaimed guitarist Mark Whitfield was enthusiastically introduced onto the jazz scene in the early nineties as part of a then new wave of “young lions”;  An esteemed, impressive and packed class opting for the more swing based, traditional form of the idiom. The Berklee College of Music grad went on to produced a string of lauded releases while also sharing the stage with revered artists on the regular the likes of Dizzy Gillespie, Art Blakey, Ray Charles, Herbie Hancock, and Jimmy Smith, solidifying his own renown.

During the course of his career Whitfield has also successfully done his share of genre blurring hooking up with artists like Sting, Chaka Khan, Jill Scott, and John Mayer as well as on ground breaking projects from D’Angelo and Mary J. Blige

But there are some other things Whitfield is understandably most proudest of. Those would be his two sons. Both musical wunderkinds and alumni of their pop’s alma mater. Both ironically, now part of the current class of heralded “young lions” (and lionesses!) shaking up the scene.

With a new segment we call I SPY SOUL On the Spot, we caught up with the busy guitarist just before his gig at the jazz room, Django in NYC for a quick, but insightful chat about the joy of playing with his sons, sound advice from mentor, George Benson, an Italian kid named D’Angelo and more! Check it out above and more on the I SPY SOUL YouTube Channel

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Photos: Deneka Peniston

Video Interview: Drummer/ Pianist Julius Rodriguez

Julius Rodriguez is an accomplished jazz musician on two instruments, piano and drums. If you know or can imagine what it takes to achieve the highly skilled and respected status on just one instrument you have to consider it quite impressive to achieve it on two. But what makes this story even more impressive, even more remarkable is that Rodriguez, who hails from White Plains, NY, has been holding it down on both – swinging with luminaries and talented cats on the jazz scene in noted venues and festivals for many years now and he’s only nineteen. Needless to say, prodigy is the title this young man would most accurately fall under.

Currently studying jazz as a sophomore at the renowned Juilliard School, Rodriquez or Orange Julius as he’s referred to by many of his colleagues, has amassed a resumé many aspiring musicians several years his senior would love to boast. He’s performed around the country and the world to places as far as Russia, Japan, and Australia. He’s shared the stage with revered artists such as Roy Hargrove, Wynton Marsalis, Wycliffe Gordon, Carmen Lundy, Andra Day, recent Grammy nominee, Jazzmeia Horn, acclaimed crew, Onyx Collective and more. He headlines shows at noted jazz hubs and revered theaters like Jazz at Lincoln Center on the regular as well as touted in the pages of notable publications like Vanity Fair as being part of a bountiful crop of gifted young “lions” ascending on the scene.

We caught up with the busy Julius Rodriguez to talk about how the fires of his talent were stoked early on, his love of jazz began and what his ultimate goal as a artist is in our feature above. Check out the interview above on I SPY SOUL YouTube Channel.

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For more about and to keep up with the talented Orange Julius go to Orangejuliusmusic.com

Also check out his splendid release noted in the feature, Introducing Orange Julius and the Big Beat

Video interview: Vocalist Sarah Elizabeth Charles

It is probably fitting to consider gifted vocalist, composer and producer Sarah Elizabeth Charles what once upon a time or perhaps even still, by the standards of many discerning folks, to be a quintessential artist – An immensely skilled and creative individual. One that is driven by their own inner voice and curiosity, but who also soaks up the goings on around them and artfully weaves an impassioned view or even call to action into their expression. In tandem with the tireless hours of honing the technical components of their craft those aforementioned tendencies are what we oft attribute to the continued and really ceilingless growth of the quintessential into the consummate artist.

red440Charles, since her early years coming up in Springfield, MA, has been building, growing by leaps and bounds into the exceptional vocalist and artist she has become. She’s studied and worked with a list of  accomplished musicians and artists including  Nicholas Payton, Geri Allen, Dr. Billy Taylor,  Sheila Jordan, Cecil Bridgewater, Reggie Workman, George Cables, Carmen Lundy, and Jesse Fischer to name a few.

secinnerUpon the formation of her band, once called the S.E.Charles Quartet and now notably referred to as SCOPE, made up of Jesse Elder, Burniss Earl Travis II, and John Davis, Charles’ exploration and hence her growth has continued.  Her impressive projects from her debut RED, to her winning sophomore offering, Inner Dialogue come off as thrilling chapters in a clever suspense novel leaving you wanting more and wondering what will happen next. The latest chapter in the musical story or evolution of Sarah Elizabeth Charles reveals yet another proclivity of the quintessential or consummate artist and that is to challenge, not only themselves and the audience, but convention as well.

 

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With another co-production hand from acclaimed, visionary trumpeter, Christian Scott aTunde Adjuah, Charles and band have given us the greatly impressive, emotionally charged and aptly titled Free of Form.   If there is anything right with the Grammys, this stunning project which features a haunting cover of the Cranberries 1994 release, “Zombie”, “Change to Come” inspired by the death of Eric Garner and “March to Revolution”,  should get at least a nod.

In our interview on the I SPY SOUL YouTube Channel with the engaging Sarah Elizabeth Charles she talks about her progression toward the release of Free of Form, breaking down boundaries, the impact of being a teaching artist and the desire to affect change.

 

Bert Caldwell

Photo/Matthew Pandolfe  Styled by Mia Wright-Ross

 

For more about Sarah Elizabeth Charles and her band Scope go to www.sarahelizabethcharles.com