“Grown folks music.” It’s a phrase proudly used more and more these days to describe styles of music that are otherwise deemed commercially irrelevant if not embraced by the hotbed demographic of 18 – 34 year olds. Thankfully, there is life after thirty-four and that moniker proclaims, “Hey, we’re here too and you young’ uns can have ‘your’ music, we’ve got our own.” But is there really such a thing as “grown folks music” or for that matter, “young people’s music?” Can’t what you like be more about exposure and simply what moves you both literally and figuratively regardless of age?
Jazz is certainly one of those genres that, for the most part, lives within the arena of “grown folks music,” but no one told a young Keanna Faircloth that when she fell in love with the music. “I was introduced to jazz probably when I was eleven years old,” says Faircloth. The recently tapped Afternoon Jazz host at fabled jazz radio station WBGO, grew up playing classical piano, but admired the sounds of jazz she heard early on. It’s something her parents astutely recognized and gladly fostered. “I was kind of a weird kid. I would just want to sit around and listen to jazz. The first album I remember I fell in love with was Miles Davis’, Kind Of Blue. I remember being in middle school, just sitting and studying that record,” she recalls as the album cover hangs prominently on the wall behind her. “My parents really did just nurture my love of jazz and I think I loved jazz even more than they did. And they would take me to clubs. I was the only kid in Blues Alley in DC where I grew up.” She even remembers having the chance to play for legendary jazz pianist Dave Brubeck when she was 12. “I got to play (acclaimed track) “Take Five” or at least my attempt at playing “Take Five” for Dave,” she jokes. “I really love all types of music. I find beauty in almost every genre of music, but jazz is near and dear to my heart.”
One of the great joys of writing for I SPY SOUL throughout the years has been the opportunity to meet and interview some very talented musicians and artists — all of which, I have great respect and admiration for, but there are some I hold in even higher regard because they were major influences on me as a young, aspiring musician and artist. One of those artists was the legendary pianist, composer and producer, Joe Sample, who sadly passed in 2014 at the age of 75. Another was also the renowned saxophonist and bassist Wilton Felderwho passed almost exactly a year later at the same age of 75. As founding members, along with drummer, “Stix” Hooper, and trombonist, Wayne Henderson of famed jazz/soul group first known as The Jazz Crusaders and then just The Crusaders, their music was part of a soundtrack for me as a kid that included the likes of Herbie Hancock, Al Jarreau, Weather Report, David Sanborn, Miles Davis, George Benson and others that I listened to over and over again and that undoubtedly shaped my musical palette. I had the great opportunity to interview Sample, Felder and “Stix “ Hooper upon the release of their then new reunion project, Rural Renewal.
They were engaging – Humble yet proud of what they had accomplished in their long and illustrious careers. They were also seemingly hurt and moved with the frustration of an aspiring artist less than half their age or accomplishment at what the music industry had become. But still they were excited about making their brand of music and confident others were too. The profile that appears below was the result and was one of the most viewed and acknowledged pieces the site had enjoyed. At the end are also audio snippets from that interview with Joe Sample and Wilton Felder.
For most of us 2020 is a year we’d very much like to forget happened even though there’s still just a little less than half of it to go. Specifics to support this are likely not necessary. But in the midst of all the mayhem, tragedy and uncertainty, there are many who believe, are examples and have operated from the position that this time will birth new opportunity if you’re paying attention, are not afraid to explore and to act. Case in point, Kreshonna Keane.
Accomplished rapper and hip hop artist, JSWISS joins Grammy – winning trumpeter, producer, arranger and composer, Michael Leonhart to deliver “BLACKOUT,” the stellar first single from their upcoming duo project, “The Alchemy EP”, dropping January 2021. On the track, JSWISS continues to establish his place amongst the game’s elite lyricists as he delivers an inspiring message and rallying cry amidst the current call for justice, change and “Black Lives Matter” as Leonhart provides a perfectly infectious, and lush musical canvas.
“An artist’s main job is to reflect his or her time. That’s the job. With any luck we can actually, per chance, illuminate, shine a light, strike a match, curse the darkness. Thats if we’re lucky . . .”
Those words came from Tomás Doncker just over three years ago during our interview with him upon the release of his riveting release, The Mess We Made. (Click here to view the interview) That project, quite without intention, was born from what was for him the literal life-numbing response to hearing about the atrocious killing of nine African-Americans inside a church located in Charleston, SC, murdered by white supremacist Dylan Roof.