Nick Rolfe has found another way to lift people up

We’ve made it to 2021 or perhaps better said, out of 2020. Although there are some significant changes in place and progress has been made on the virus front, we’re still in the midst of some very challenging times and issues that need to be addressed. 

Few have gone unscathed by the enormity of the situation we’ve been in. Included in that count of the greatly impacted are artists and performers of all kinds. When the virus reared its ugly head and eliminated a slew of performances for them around the world the blow was swift, mind-blowing and for the vast majority, life – altering. What to do was the universal question and the answer for most of them after the initial “dear in the headlights” pause, was somewhat the same. Survival economically and mentally was, needless to say, paramount as well as to immediately ponder how long this would last.

Many have seized the time to reflect, refocus, practice and create to varying degrees. Some, like the greatly accomplished keyboardist, singer and songwriter Nick Rolfe have done that and more, like rescue people and save lives. Yes, you read the last part right. Rolfe, who has over his career released impressive projects as a leader and performed with the likes of Sting, Bruce Springsteen, James Taylor, Idina Menzel, Busta Rhymes, India Arie, Ledisi, and the incomparable Aretha Franklin, has been part of a search and rescue team tasked with braving the mountains of the Pacific Northwest and removing folks from life – threatening situations. That included, this past summer, the added need and danger brought on by some of the worst wildfires the west coast has seen in years. But this is not something new for Rolfe. He actually became part of the volunteer rescue team before the pandemic. However, what he knew before but became even more evident with his ability to devote more time was how much he loved doing it. It’s understandable. Imagine losing something as rewarding as bringing smiles to faces ( including his own) through live musical performance and getting to replace it with bringing smiles to the faces of family members ( and yes, his own) with the return of loved ones rescued from wild fires or life – threatening injury in mountainous terrain.  What’s not to love? 

With the uncertainty of just what the new normal will be for artists and performers, Rolfe knows first hand from speaking with fellow musicians that for many of them options beyond music will have to be a consideration when the “smoke” clears.  But for some, because of discoveries made during this dormant time of performing, they now may have choices not explored before.

In the video interview below Nick Rolfe speaks about doing and missing two things he loves a lot and allowing himself to make a choice about what the future holds. 

Bert Caldwell

feature photo: Nick Drukker

For more about Nick Rolfe visit nickrolfe.com

Video interview: Drummer/Composer E.J. Strickland

The most obvious job of a drummer is to provide the beat and keep the band swingin’ or bumpin’ in time. Just doing that is harder than it may seem, but the elite and legendary do it so well we might not realize really how much more they’re doing. Often nestled behind the vocalists or instrumentalists, they’re in a continuing cycle of providing a rhythmic canvas and making split second decisions on their instrument as well as for the others in the band that often set the tone for the whole vibe. And of course, when it’s time to in the immortal words of the Godfather of Soul, James Brown, “give the drummer some,” they get to assemble a collage of sonic colors of their own that still artfully fits in the grand scheme.  

It seems the acumen developed over time for many great drummers doing this night in and night out on the bandstand or inside a recording studio booth fosters a talent for leading a band and composing as well. Who knew? Well, turns out many do including the extremely accomplished drummer, composer and bandleader, E.J. Strickland

The in demand beatsmith has and continues to work with a list of burgeoning and veteran, acclaimed artists including names like Vincent Herring, Ravi Coltrane, Russell Malone, David Sanchez, Reggie Washington, David Gilmore, Jaleel Shaw, Brandee Younger, Brianna Thomas  Cassandra Wilson, Lizz Wright, Marcus Strickland (his twin brother saxophonist ) and many others. But he has also garnered acclaim with his own excellent projects as a leader such as The E.J. Strickland Quintet, Transient Beings, and very cool concept, Pads N Loops. In midst of doing so, he has successfully revealed that impressive talent for composing releasing three fantastic projects with the most recent being, Warriors Of Peace. 

His ability obviously didn’t go unnoticed by the Jazz Coalition who in August awarded him, one of fifty given, a commission grant for the creation of music relevant to the times we now live. As you’ll discover in the video interview Strickland was already at a boiling point of expression whipped up by the uncertainty and adversity we are all facing at this pivotal time in our history when this opportunity arrived. The result is his highly anticipated suite called, A Unified Stance, We Must Take.

Check out the video to hear E.J. Strickland’s passionate reason for the title of this new work and the suite as a whole along with where his love of music and the drums came from; his relationship with his brother, saxophonist Marcus Strickland; a funny story about legendary drummer Roy Haynes and more.

To keep up with E.J. Strickland visit his website @ ejstricklandmusic.com

THE SOUL SEEN: Singer, songwriter, and producer KEM

The Soul Seen retrospective revisits the 2003 interview with Soul/R&B artist Kem from the segment WATCH CLOSELY that featured emerging artists to keep an eye on. This catches the popular artist as he moved from successful independent artist to making the decision to sign with legendary major Motown records and offers an insightful look at his reasons and the development of his sound.

KEM Putting the Right Elements Together

It’s a lucky thing that the prevalent mind set of the music industry to foster monotony and artlessness has not kept gifted souls from being heard. The recent rise of artists, “doing it for themselves” has brought forth a crop of talented folks furtively proving that a notable slice of the listening public pie still desires artistry and meaningful messages. Case in point, vocalist, songwriter, and musician, KEM.

Continue reading “THE SOUL SEEN: Singer, songwriter, and producer KEM”

Video Interview: Saxophonist Jaleel Shaw

When you see or hear the work of amazing artists – those who have garnered acclaim from audiences, their peers and the cognoscenti that herald them – it can be hard to believe there is room or for that matter, desire to grow. Perhaps that is what makes a talented individual great. To harness a passion to pursue and to be humble enough to acknowledge that there is more to learn, more to explore and that there’s no ceiling on getting better seems to be a common characteristic of those who rise to renown and reverence. 

It’s clear saxophonist Jaleel Shaw fits that mold. The accomplished musician has been soaking up knowledge from influences and mentors alike since a kid coming up in the talent factory that is Philly, PA.  Over the years the formula of passion plus a thirst of knowledge and a desire to truly move people with his gift has hoisted him into the category of great players garnering amongst other distinctions, a Downbeat Magazine Critics Poll Award and being listed in JazzTimes Magazine’s Readers Poll for Alto Saxophonist of the Year.

It’s also made him a sought-after musician prompting work as a long-time member of the Roy Haynes Quartet, and performing with luminaries such as Christian McBride (when they were kids in Philly and older), Nate Smith’s Kinfolk, Jason Moran, the Mingus Big Band, Pat Metheny, Roy Hargrove, Chick Corea, Dave Holland, Jimmy Cobb and many, many others.  He even earned a nickname from the legendary Jimmy Heath, which is confirmation in and of itself that a musician has arrived. The one fittingly given to Shaw? “For Real.”

When the shutdown and challenges of 2020 came knocking at our doors for Jaleel Shaw, like the rest of us all, even with the accolades, well- earned respect and his tremendous ability, it unearthed an anxiety – Not knowing what the future would hold, how he’d handle it and who is the person he’d be on the side of it. But what kicked in for Shaw was the astute recognition that in this time was opportunity to learn more about himself. Something that would result in him being more. It was the kind of self-assessment that has made him the consummate player he is today. In the video interview done via Zoom, Jaleel Shaw offers great insight and candid observations that will inspire artists and non-artists alike. Check it out below. BC

For more about saxophonist Jaleel Shaw go to jaleelshaw.com

To stream and/or purchase the music you heard in the video interview and more go to /https://jaleelshaw.bandcamp.com/ or all other major music platforms.

And check out his Livestream performance with full band direct from The Jazz Gallery in NYC tomorrow October, 15th, two sets at 7:30 & 9:30. For more information and to purchase tickets go to https://www.jazzgallery.org/calendar/livestream-jaleel-shaw

THE SOUL SEEN: Cellist, arranger and producer, LARRY GOLD

The Soul Seen, I SPY SOUL retrospective revisits the 2003 interview feature with Larry Gold

Audio of the actual interview appears at the end of the feature.

The Midas Touch

The story of arranger, cellist, and composer Larry Gold is one that should serve as an example to many in the music business or for that matter, in any business. Why you ask? Because his success is a result of his sincere love for what he does, a desire to grow, the recognition of talent around him, and of course, his own outstanding ability.

His story is also one of irony because although many of you aren’t familiar with his name, you and scores of others have experienced his “touch.” Gold’s amazing body of work is punctuated by his tenure with the legendary label, Philadelphia International, as first, part of the house band MFSB that propels the treasured classic soul and R&B hits by folks like the O’Jays, Billy Paul, Harold Melvin and the Bluenotes, the Spinners and Patti Labelle to name only a few. And later, as string and horn arranger on hits from Teddy Pendergrass, McFadden & Whitehead, and more. That experience, while concurrently siphoning the knowledge of Sound of Philadelphia architects Kenny Gamble and Leon Huff and renowned producer, Thom Bell, accounts for the prowess that has since driven both, major acts and emerging artists to engage his services. The list is both impressive and diverse, boasting such artists as Musiq Soulchild, Floetry, Jill Scott, Brandy, Jay-Z, Monica, Gerald Levert, The Roots, Kindred, Common, Vivian Green, Justin Timberlake, Erykah Badu, Boys II Men, Glen Lewis, Kelly Price, and more. It’s also impressive because it shines with the glow of platinum and yes, gold selling success the records from these artists enjoy.

Continue reading “THE SOUL SEEN: Cellist, arranger and producer, LARRY GOLD”